Paul Cézanne
1893-95
Pierrot and Harlequin, 1888, by Paul Cézanne
Paul Cézanne, Madame Cézanne in the Conservatory, 1891
Paul Cezanne, Green Apples (1873). 26 x 32 cm. Musée d’Orsay, Paris.
Paul Cezanne
The Overture to Tannhauser; The Artist’s Mother and Sister
1868
Bend In Forest Road
Paul Cezanne
1906
Paul Cezanne
1883-97
CEZANNE & PISSARRO
Paul Cézanne, Aix-en-Provence
photo by Emile Bernard, 1904
Paul Cézanne
Melting Snow Fontainbleau, 1880
A Modern Olympia - Cézanne
Paul Cézanne, Le lac d’Annecy
Oil on Canvas, Courtauld Institute Galleries, London
Paul Cézanne, Une moderne Olympia (A Modern Olympia), 1873 - 1874, oil on canvas, 46x55 cm, Musée d’Orsay, Paris
Paul Cezanne
Bend in Forest Road
1906
1890’s-1900’s Cézanne, Mont Sainte-Victoire
- paints touch-by-touch, modulating as he goes along
- mountain as a pre-text
- one part of Cézanne was very faithful to reality; but also strayed from it
- e.g. little pits of interchangeability (e.g. colors where they don’t belong)
- one of his later paintings, bordering on abstract
- passage—laws of nature out the window; as long as laws of painting are intact (IMPORTANT)
*up to now, all of this has been background info*
